Serials And Series

Serials and Series PDF
Author: Buck Rainey
Publisher: McFarland
Category : Performing Arts
Languages : en
Pages : 331
View: 928

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Book Description:
While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.


Female Action Heroes

Female Action Heroes PDF
Author: Gladys L. Knight
Publisher: ABC-CLIO
Category : Literary Criticism
Languages : en
Pages : 341
View: 1513

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Book Description:
This book offers 25 profiles of some of the most popular female action heroes throughout the history of film, television, comic books, and video games. * Comprises 25 profiles, arranged alphabetically * 70 sidebars provide additional information on pertinent topics, individuals, and symbols * Includes a chronology of major appearances of the 25 female action heroes in film, television, comic books, and video games, as well as women's fashion trends and major events in women's history * Offers a photograph of each featured, female action hero * Presents a glossary of 39 terms, including female archetypes like "femme fatale" and social movements like "third-wave feminism" * Provides a selected bibliography of books and Internet sites related to the topics of female action heroes, women's history, and media studies


Creative Writing

Creative Writing PDF
Author: Colin Bulman
Publisher: Polity
Category : Education
Languages : en
Pages : 249
View: 2956

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Book Description:
All writers are familiar with terms like plot, suspense, conflict and character. They may be less familiar with intertextuality, anachrony, and fabula, and they may be even less confident in achieving the effects these terms refer to. This book defines fictional techniques and guides the potential writer in their use. It may spark off ideas for stories and novels and provide first-aid for failing stories. A story's ending may come as a surprise to the reader, suspense may have the reader on the edge of the seat, and conflict may lead to unbearable excitement. It is the job of the writer to create these effects and this book illustrates how it is done. The book is for students doing creative writing in higher education, at "A" level, and it will be essential reading for anyone interested in writing fiction. Contents: * Definitions of over 200 terms and techniques to do with fiction writing * How to achieve fictional effects * Literary examples of the techniques described Characteristics of genre as well as literary fiction * Basic but essential techniques such as writing dialogue and using figures of speech * Definitions of major terms used in publishing


Television Writing

Television Writing PDF
Author: Linda Aronson
Publisher: Allen & Unwin
Category : Language Arts & Disciplines
Languages : en
Pages : 71
View: 2649

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Book Description:
A practical guide to writing for television which describes the conventions, format and everyday running of television writing. Australian author.


1950s Rocketman Tv Series And Their Fans

1950s    Rocketman    TV Series and Their Fans PDF
Author: C. Miller
Publisher: Springer
Category : Performing Arts
Languages : en
Pages : 270
View: 1836

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Book Description:
The fourteen essays featured here focus on series such as Space Patrol, Tom Corbett, and Captain Z-Ro, exploring their roles in the day-to-day lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.


A Companion To Media Authorship

A Companion to Media Authorship PDF
Author: Jonathan Gray
Publisher: John Wiley & Sons
Category : Social Science
Languages : en
Pages : 576
View: 4073

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Book Description:
A Companion to Media Authorship offers 28 groundbreaking chapters which investigate the practices, attributions, and meanings of authorship. Revitalizing the study within media and cultural studies, this diverse and global collection provides the definitive work on the subject. Rethinks cultures of authorship and challenges the concept of auteurism across multiple media forms Moves beyond notions of the individual to focus on how authorship is collaborative, contested, and networked, examining cultures of authorship and the practicalities of how it works Draws on the cutting-edge research of scholars and practitioners whose work has produced significant new insights into the field Examines a wide range of media, including television, social media, radio, videogames, transmedia, music, and comic books Offers an impressive global focus, including pieces on Mexican music, amateur film production in Nairobi slums, tele-serial production in Kinshasa, Hong Kong film, and the marketing of Bollywood


Science Fiction Film Television And Adaptation

Science Fiction Film  Television  and Adaptation PDF
Author: Jay Telotte
Publisher: Routledge
Category : Social Science
Languages : en
Pages : 212
View: 5920

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Book Description:
While film and television seem to be closely allied screen media, our feature films and television series have seldom been successfully adapted across those screens. In fact, rather than functioning as portals, those allied media often seem, quite literally, screens that filter out something that made the source work so popular in its original form. Differences in budget, running times, cast, viewing habits, screen size and shape all come into play, and this volume’s aim is to track a number of popular texts in the course of their adaptive journeys across the screens in order to sketch the workings of that cross-media adaptation. For its specific examples, the volume draws on a single genre—science fiction—not only because it is one of the most popular today in either film or television, but also because it is arguably the most self-conscious of contemporary genres, and thus one that most obviously frames the terms of these technological adaptations. The essays included here mine that reflexive character, in both highly successful and in failed efforts at cross-media adaption, to help us understand what film and television achieve in screening science fiction, and to reveal some of the key issues involved in all of our efforts to navigate the various screens that have become part of contemporary culture.


Film And Stereotype

Film and Stereotype PDF
Author: Jörg Schweinitz
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 396
View: 6687

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Book Description:
Since the early days of film, critics and theorists have contested the value of formula, cliché, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jörg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Béla Balázs, Hugo Münsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as René Fülöp-Miller and Gilbert Cohen-Séat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.