The Cinema Of Todd Haynes

The Cinema of Todd Haynes PDF
Author: James Morrison
Publisher: Wallflower Press
Category : Biography & Autobiography
Languages : en
Pages : 181
View: 4840

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Book Description:
From the trenches of independent American film of the 1990s, Todd Haynes has emerged in the 21st century as one of the world's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.


Todd Haynes

Todd Haynes PDF
Author: Rob White
Publisher: University of Illinois Press
Category : Performing Arts
Languages : en
Pages : 208
View: 7159

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Book Description:
Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a serious commitment to feminism and queer theory. From his 1985 student film about Arthur Rimbaud to his shapeshifting portrait of Bob Dylan in I'm Not There (2007) and the riveting HBO miniseries Mildred Pierce (2011), Haynes has made films whose complex weave of stories and characters reveals dark, painful intensities. His taste for narrative experimentation and pastiche is haunted by anguish. Rob White's highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the director's work. Special attention is paid to the fascination with music culture (from the Carpenters to glam rock) and to the rich pattern of allusions to, or affinity with, predecessor filmmakers (Fassbinder, Ophuls, Sirk, and many more). But White's chief concern is the persistence of a queer impulse to explore social coercion and the possibility that there may be some way of escaping its cruelty.


Todd Haynes

Todd Haynes PDF
Author: Todd Haynes
Publisher:
Category : Biography & Autobiography
Languages : en
Pages : 221
View: 4895

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Book Description:
With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as one of the most important contemporary independent filmmakers in the United States. Often described as provocative, inventive, and groundbreaking, his work is celebrated for inaugurating New Queer Cinema--a term coined in 1992 to describe the emergence of films committed to queer culture. Despite the richness and complexity of Haynes's work--which engages auteurs ranging from Chantal Akerman to Douglas Sirk and theorists from Judith Butler to Michel Foucault--relatively little scholarly work on it has been published. Stepping into this void, Todd Haynes: A Magnificent Obsession offers the first collection of scholarly essays exclusively devoted to Haynes's entire oeuvre. Including critical essays by well-known and emerging scholars in television theory and feminist film, this special issue of Camera Obscura demonstrates Haynes's engagement with history, feminism, queer culture, biography, and a range of artistic practices. In one essay a former professor of Haynes's examines the depiction of women in many of his films, describing how Haynes revisits key questions and themes reminiscent of those invoked in the "woman's film" genre of the 1940s and 1950s. Other essays address the representations of television and film in Far from Heaven, the aesthetics of pirated video copies of Superstar, Velvet Goldmine's representation of the recent past, and the politics of abjection and marginalization in Poison and Safe. Contributors. Laura Christian, Mary Desjardins, Mary Ann Doane, Lucas Hilderbrand, Lynne Joyrich, Edward R. O'Neill, Susan Potter


Slow Movies

Slow Movies PDF
Author: Ira Jaffe
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 256
View: 5726

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Book Description:
"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.


The Cinema Of James Cameron

The Cinema of James Cameron PDF
Author: James Clarke
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 224
View: 5917

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Book Description:
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.


The Cinema Of Alexander Sokurov

The Cinema of Alexander Sokurov PDF
Author: Jeremi Szaniawski
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 256
View: 2066

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Book Description:
One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema – a deeply original and complex body of work in dialogue with the past, the present and the future.


The Cinema Of Michael Winterbottom

The Cinema of Michael Winterbottom PDF
Author: Bruce Bennett
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 224
View: 7576

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Book Description:
This comprehensive study of prolific British filmmaker Michael Winterbottom explores the thematic, stylistic, and intellectual consistencies running through his eclectic and controversial body of work. This volume undertakes a close analysis of a TV series directed by Winterbottom and sixteen of his films ranging from television dramas to transnational co-productions featuring Hollywood stars, and from documentaries to costume films. The critique is centered on Winterbottom's collaborative working practices, political and cultural contexts, and critical reception. Arguing that his work delineates a 'cinema of borders', this study examines Winterbottom's treatment of sexuality, class, ethnicity, and national and international politics, as well as his quest to adequately narrate inequality, injustice, and violence.


The Cinema Of Ra L Ruiz

The Cinema of Ra  l Ruiz PDF
Author: Michael Goddard
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 224
View: 833

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Book Description:
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work—with its surrealist, magic realist, popular cultural, and neo-Baroque sources—as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.


The Cinema Of Michael Mann

The Cinema of Michael Mann PDF
Author: Jonathan Rayner
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 240
View: 2912

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Book Description:
Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work. It explores Mann's relationship with classical genres, his thematic concentration on issues of morality and masculinity, his film adaptations from literature, and the development and significance of his trademark visual style within modern American cinema.


The Cinema Of Aki Kaurism Ki

The Cinema of Aki Kaurism  ki PDF
Author: Andrew Nestingen
Publisher: Columbia University Press
Category : Performing Arts
Languages : en
Pages : 224
View: 5651

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Book Description:
Aki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.