The Cinema Of Todd Haynes

The Cinema of Todd Haynes PDF
Author: James Morrison
Publisher: Wallflower Press
Category : Biography & Autobiography
Languages : en
Pages : 181
View: 2076

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Book Description:
Todd Haynes has emerged from the trenches of independent American film in the 1990s to become one of the twenty-first century's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nominated Far from Heaven (2002). Along the way, it covers such landmark films as Poison (1991), Safe (1995), and Velvet Goldmine (1998). Contributors look at these films from a variety of angles, including his debts to the avant-garde and such noted precursors as Rainer Werner Fassbinder; his adventurous uses of melodrama; and his incisive portrayals of contemporary life.


Todd Haynes

Todd Haynes PDF
Author: Todd Haynes
Publisher:
Category : Biography & Autobiography
Languages : en
Pages : 221
View: 3982

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Book Description:
With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as one of the most important contemporary independent filmmakers in the United States. Often described as provocative, inventive, and groundbreaking, his work is celebrated for inaugurating New Queer Cinema--a term coined in 1992 to describe the emergence of films committed to queer culture. Despite the richness and complexity of Haynes's work--which engages auteurs ranging from Chantal Akerman to Douglas Sirk and theorists from Judith Butler to Michel Foucault--relatively little scholarly work on it has been published. Stepping into this void, Todd Haynes: A Magnificent Obsession offers the first collection of scholarly essays exclusively devoted to Haynes's entire oeuvre. Including critical essays by well-known and emerging scholars in television theory and feminist film, this special issue of Camera Obscura demonstrates Haynes's engagement with history, feminism, queer culture, biography, and a range of artistic practices. In one essay a former professor of Haynes's examines the depiction of women in many of his films, describing how Haynes revisits key questions and themes reminiscent of those invoked in the "woman's film" genre of the 1940s and 1950s. Other essays address the representations of television and film in Far from Heaven, the aesthetics of pirated video copies of Superstar, Velvet Goldmine's representation of the recent past, and the politics of abjection and marginalization in Poison and Safe. Contributors. Laura Christian, Mary Desjardins, Mary Ann Doane, Lucas Hilderbrand, Lynne Joyrich, Edward R. O'Neill, Susan Potter


Todd Haynes

Todd Haynes PDF
Author: Rob White
Publisher: University of Illinois Press
Category : Performing Arts
Languages : en
Pages : 208
View: 6089

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Book Description:
Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a serious commitment to feminism and queer theory. From his 1985 student film about Arthur Rimbaud to his shapeshifting portrait of Bob Dylan in I'm Not There (2007) and the riveting HBO miniseries Mildred Pierce (2011), Haynes has made films whose complex weave of stories and characters reveals dark, painful intensities. His taste for narrative experimentation and pastiche is haunted by anguish. Rob White's highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the director's work. Special attention is paid to the fascination with music culture (from the Carpenters to glam rock) and to the rich pattern of allusions to, or affinity with, predecessor filmmakers (Fassbinder, Ophuls, Sirk, and many more). But White's chief concern is the persistence of a queer impulse to explore social coercion and the possibility that there may be some way of escaping its cruelty.


Queeres Post Cinema

Queeres Post Cinema PDF
Author: Astrid Deuber-Mankowsky
Publisher:
Category :
Languages : de
Pages :
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The Cinema Of Sally Potter

The Cinema of Sally Potter PDF
Author: Sophie Mayer
Publisher:
Category : Performing Arts
Languages : en
Pages : 255
View: 6399

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Book Description:
Analysis of the films, performance art and music of director Sally Potter.


The Cinema Of Neil Jordan

The Cinema of Neil Jordan PDF
Author: Carole Zucker
Publisher: Wallflower Press
Category : Performing Arts
Languages : en
Pages : 203
View: 2379

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Book Description:
'The Cinema of Neil Jordan' discusses his entire output as part of the first comprehensive study of Jordan's career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore.


The Cinema Of Jan Vankmajer

The Cinema of Jan   vankmajer PDF
Author: Peter Hames
Publisher:
Category : Performing Arts
Languages : en
Pages : 247
View: 137

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Book Description:
This text explores the legacy of the legendary Czech surrealist filmmaker, a key influence on directors such as Tim Burton and Terry Gilliam, and one of the greatest animators in cinema history.


The Cinema Of John Sayles

The Cinema of John Sayles PDF
Author: Mark Bould
Publisher: Wallflower Press
Category : Performing Arts
Languages : en
Pages : 206
View: 2679

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Book Description:
Through discussion of films such as 'Return of the Secaucus 7', 'The Brother from Another Planet' 'Matewan' and 'Sunshine State', this study uncovers themes of racial and sexual otherness, capitalist excess and the erosion of community in the work of John Sayles.


The Cinema Of Lars Von Trier

The Cinema of Lars Von Trier PDF
Author: Caroline Bainbridge
Publisher:
Category : Biography & Autobiography
Languages : en
Pages : 210
View: 3594

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Book Description:
Lars von Trier is the most controversial figure of contemporary European cinema. This volume is the first book to analyse in depth the changes he has brought to modern film. Since founding the back-to-basics Dogme philosophy of filmmaking in 1995, von Trier's name has become a by-word for taboo-breaking cinema. As a director, he has courted media controversy through films such as The Idiots (1998), with its unsimulated sex and non-conformist politics, and through his complex relationships with actresses such as Bj'rk and Nicole Kidman, from whom he coaxed career-best performances in Dancer in the Dark (2000) and Dogville (2003) respectively. Analysing these films as well as recent works such as The Five Obstructions (2004) from a psychoanalytic perspective, it forges a new understanding of the founder of Dogme 95 as a great democratiser of cinema in the digital age, presenting von Trier as one of the most daring cinematic exponents of postmodern politics and satire.